To quote the megastar, “ 40 years of ‘Abhimaan’… that is like 40 years of our marriage…the last shot of the film of Jaya and me coming out of the theatre after singing the climax song, and the crowds mobbing and applauding us, was done the day after we returned from our honeymoon in London.” In his Facebook page, Amitabh has said that Abhimaan is special to him as he and Jaya got married that time.
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Later when Mukesh heard it, being a perfect gentleman, he said that since Manhar Udhas had done such a nice job, let his version continue. However Mukesh not being free, the demo version was sung by Manhar Udhas. The song “ Loote koi man ka na nagar” was supposed to be sung by Mukesh. Lata didi sang all songs picturised on Jaya Bhaduri, while Kishore Kumar, Rafi and Manhar Udhas sang for Amitabh.
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Songs /music played an important part of the movie which was about two singers and how the husband gets jealous when his wife becomes more popular. Lyrics by Majrooh Sultanpuri complemented SD Burman’s music. This continued the trend of Hrishi da’s movies having excellent acting, perfect direction and amazing music. Recently, Gulzar revealed that Rajesh Khanna liked the role so much that he took only a token nominal fee for the movie. Salil Choudhry’s music and Gulzar’s lyrics were a formidable combo and “ Kahin door jab din”, “ maine tere liye” was fantastically sung by Mukesh, while “ Zindagi kaisi hai ye paheli hai” was one of Manna Dey’s best songs. Kishore Kumar and Mehmood too had been thought of for Rajesh Khanna’s and Amitabh’s roles. In fact Raj Kapoor used to call Hrishi da “Babu Moshay”, and this is what Rajesh Khanna called Amitabh in the movie. Raj Kapoor and Shashi Kapoor had originally been kept in mind. It was destiny that Rajesh Khanna played this role. Rajesh Khanna of course was the reigning superstar and at the peak of his career. This was Rajesh Khanna and Amitabh’s first of two movies and showed glimpses of the talent of future superstar Amitabh. Later Sharmila ji said she felt guilty since the smart hair-do indeed was in contrast to the role her character needed to portray. She wanted it to suit her smart image, while Hrishi-da felt it did not suit her role. The disagreement was regarding Sharmila’s hairstyle. It was during Anupama’s shooting that Hrishi-da had told Sharmila Ji, “ Dont mind your make up, make-up your mind”. Anupama means incomparable and indeed Hrishi-da is incomparable as a director. Lata didi’s “ Kuchh dil ne kaha” and “ Dheere dheere machal” are amongst her best solos ever, while Hemant Kumar himself comes up with the haunting number, “ Ya dil ki suno duniyawalo”. In a special episode of KBC, Dharmendra had asked Amitabh to tell the audience who was the director they were scared of, like a headmaster or schoolmaster and Amitabh had replied, “ Hrishi– da ke saath hum dono kaampte thay kyuki unka ek rutba hee aisa tha (We would tremble before Hrishi-da, such was his aura).ĭharmendra and Sharmila star in this critically acclaimed movie with soulful music by Hemant Kumar. Kishore Kumar and Rafi Saab had one of their best ever male duets, “ Sa re ga ma“, while Lata didi had two terrific solos, “ Ab ke sajan saawan mein” and “ Chupke chupke chal ri purvaiya”. SD Burman’s music was superb and so were Anand Bakshi’s lyrics. Uttam Kumar and Madhabi Mukherjee had played the roles played in Chupke Chupke by Dharmendra and Sharmila Ji. The movie is a remake of a Bengali movie Chhadmabeshi, which was itself based on a Bengali story Chhadobeshi. It was a comedy classic in which Dharmendra and Amitabh complemented each other superbly. “ Compromise hi corruption ka doosra naam hai” is one of the memorable dialogues from this movie.
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Rajinder Singh Bedi won the Filmfare award for best dialogue. The movie won the National award for best feature film in Hindi. Sharmila Tagore, Ashok Kumar and Sanjeev Kumar feature in Satyakam as well. We saw the soft side of he-man Dharmendra in arguably one of his best ever performances as Satyapriya Acharya, a man of very high principles. Based on Narayan Sanyal’s Bengali novel, Satyakam was considered by the master director himself as his best work.